Singing With The Beatles

Singing With The Beatles
Singing With The Beatles

NEW YORK, FRIDAY - The Beatles Fans around the world will have a new toy can make them singing with the four boy from Liverpool. This is the beatles video game - first in the world.

The four personnel of the pop band, The Beatles, will be present together in the digital video game around September. It was disclosed Thursday (5 / 3) by Apple Corps and MTV Viacom incl Network, a cooperation deal with this video game.

Software video game called "The Beatles: Rock Band" will be selling them at 59.99 U.S. dollars. However, the fans at least akan fish pocket of 99.99 U.S. dollars to buy this instrument.

Simultaneously this video game will be valid in several countries in the region of Europe, North America, Australia, New Zealand and right on 9 months 9 months 2009. Use of the date, month and year that imply formation 999.

Unfortunately, there is no definitive explanation particulars of the number. That, the video game was popular impressions of MTV titled "Rock Band" will make the fans can bernostalgia to play the guitar, singing, membetot bass, drums beat and the style of John, Paul, George and Ringo. They will feel happy onstage ala four young Liverpool throughout his career in which they make on the world scene until the end of the 60-70th.

MTV and Apple plan, peranti "The Beatles: Rock Band" is intended to offer Microsoft (Xbox 360), Sony (Playstation 3), and Nintendo (Nintendo Wii). If this new toy bercokol already in the market, will be guaranteed the band's first video game in the world.

As it notes, to far songs The Beatles are not yet available in the iTunes digital music outlets. Nothing more, considering the rest of the personnel and representatives of other family members of personnel to maintain the strict distribution of songs owned by the band that has been "late" is.

Like other bands to legendary rock n roll another kind of Aerosmith, The Rolling Stones or AC / DC. They have put their music in digital format and sold with a license online "Rock Band" or "Activision Blizzard".

The Days Leading To 1963

The Days Leading To 1963
The Days Leading To 1963
The Days Leading To 1963

“The story began in Harold Macmillan’s “never had it so good” ’50s Britain. It should be fiction: four teenagers with no more than eight O’Levels between them, running and biking and busing and busking all over Liverpool in search of new chords and old guitars and half-decent drum kit and any gig at all.

They were determined to amount to something – in George’s words “we just had this amazing inner feeling of: ‘We’re going to do it’. I don’t know why... we were just cocky” – and make a record (in Ringo’s words you’d kill for that bit of plastic and make some money and have a laugh and shout. That would do to be going on with.

The Beatles

Six years later, they were the four most famous and musical men on earth, the best dressed and on a good day the most captivating people anyone can remember. The narrative that began where Paul met John and clicked at a garden fete in leafy Liverpool, and ended in high dudgeon in high-end London, is so far fetched that it needs the power of a song punctuating every page to remind you with a joyous jolt that it was all true.

We didn’t dream it... though it came out of John’s dream of the “man on a flaming pie” who said “You are Beatles with an ‘A’”. It did all happen. The whole wonderful thing did happen, a long time ago, on the Mersey, on the Elbe, by the Thames and the Hudson River.

Chronicles of The Beatles

Chronicles of The Beatles
Chronicles of The Beatles

The History of The Beatles can be traced back to March 1957, when John Lennon and his childhood friend, Pete Shotton started a group called "The Black Jacks" to play Skiffle and America Rock and Roll. They soon change the name to "The Quarry Men". Their gigs were mostly neighborhood events.

July 6, 1957, John Lennon along with "The Quarry Men" had just finished performing at St. Peter's Parish Church in Woolton, Liverpool when fellow group member and childhood friend Ivan Vaughn introduced him to a guitarist named James Paul McCartney who played "Twenty Flight Rock" for John. A recording was made of the Quarry Men's performance by Bob Molyneux, a member of St Peter's Youth Club. Paul was asked by Pete Shotten to join the band, during a chance encounter on July 20. On Oct 18, Paul made his debut performance.

In Sept John entered "The Liverpool College of Art". Paul and George Harrison were students at "Liverpool Institute High School for Boys". During their daily hour-long bus commute, they became friends discovering a mutual interest in music.

On Feb 6, 1958, Paul introduced George to John. George persisted over time to convinced a reluctant John to allow him to join The Quarry Men-even following him on his dates with his future wife Cynthia Powell.
on Aug. 29th, 1958, John accepted George into The Quarry Men, which would then grow into seven members.
During that Summer of 1958, The Quarrey Men (John Lennon, Paul McCartney, George Harrison, playing guitars, John Lowe on piano, and Collin Hanton on drums) made two demo recordings: That'll Be The Day" and "In Spite Of All The Danger", the latter being a McCartney-Harrison composition.

The Quarry Men disbanded in 1959 due to lack of gigs. George joined another group which disbanded, then, he and fellow group member Ken Brown united with John and Paul for seven Saturday performances at the new Casbah Club, from Aug 29, 1959 until Oct 10 when a financial dispute ended their relationships with the club and Ken Brown. The trio continued as "Johnny and the Moondogs" with Paul on drums. Ken formed a group with Pete Best, the son of the Casbah's club owner and continued performing there.

In Jan. 1960, John invited a fellow art student Stu Sutcliff to join the group on the condition he got his own bass. In May They renamed themselves The "Beetles" (as a tribute to Stu's favorite band "Buddy Holly & The Crickets", then, The"Silver Beetles". Allan Williams became their manager. In June, they modified their name to the "Silver Beatles".

In early May a 25 year old drummer - Tommy Moore - joined them. On May 18th they began a nine day tour in Scotland backing performer Johnny Gentle. Tommy left the group afterwards due to financial obligations.

In July 1960 they discover a drummer - Norman Chapman - who joined them until he was called for national service duty.

On Aug 6th, 1960, they invited their friend Pete Best to become their permanent drummer after having played together several times during their performances at the Casbah club Their manager Alan Williams, having been told about the vivid night-life and the love of rock and roll in Hamburg Germany, arrainged gigs for some of the groups he managed. On Aug 18th, 1960, posing as students, The Beatles began a series of gigs in Hamburg, and John renamed the group The Beatles. They initially stayed in Hamburg until Dec 1st. The atmosphere was filled with promiscuity, booze and pills. They would return periodically until Feb, 1962.

The line-up of The Beatles now comprised John Lennon (rhythm/ vocals), Paul McCartney (rhythm/vocals), George Harrison (lead/ vocals), Stuart Sutcliffe (bass/vocals) and Pete Best (drums).
After their first Hamburg tour ended (George was deported for being underage, and their dispute with their current boss lead to a police complaint about an attempted fire to his premises. - resulting in the arrest or Pete and Paul) Stu left the group after becoming engaged to photographer Astrid Kirchherr who was partially responsible for The Beatles' "Mop Tops") the beatles broke up for about a month, and Paul was urged by his father to get a job in a factory.

Pete Best became the sex symbol of The Beatles, and his distinctive drumming style was nicknamed by the press the "atom beat". However, his popularity caused jealousy among the rest of the Beatles.
On Feb 9th 1961, The Beatles first performed at the Cavern Club; Pete's mother -Mona- assisted in getting them this booking. They returned to Hamburg Apr 1st1961, to work at the "Top Ten" club until Jul 2nd. A dispute started by John over discontinuing the paying of percentages to their manager Alan Williams for that gig, lead to Alan terminating his relationship with The Beatles.

The Beatles were approached by Producer Bert Kampfert ("Wonderland By Night") at the Top Ten Club and asked if they would be willing to record with Tony Sheridan. The Beatles were soon signed to a Polydor recording contract as the Beat Brothers, and from June 22nd to 23rd they recorded "My Bonnie", "In the School Hall", "Cry for A Shadow" and "Ain't She Sweet".
Saturday Oct 28th. 1961, Brian Epstein, received three requests at his record store for "My Bonnie" by The Beatles. You was informed that they were currently performing at The Cavern Club. After watching the beatles perform at the Cavern Club in Liverpool He introduced himself. Later, he consulted with his friend Alan - who was then still bitter about their disloyalty - about his wishes to Manage them. He took over their management at a 25% percentage.

On New Year's Day 1962, the group was granted an audition with Decca's A&R department, headed by Dick Rowe with his assistant Mike Smith. Mike liked them, as well as The Tremeloes who were also auditioning that day, but was forced to select only one by Dick. Brian Poole And The Tremeloes were selected because of their superior performance (The Beatles has partied until 4:30 am that morning-and were tired), and because The Tremoloes lived just a mile away and would cost the company less in travel expenses.
On Jan 24th, the band signed a management contract with Brian Epstein.
April 10 th, Stu Sutcliff died of a brain hemorrhage; he had been complaining of headaches ever since their first Hamburg tour.

June 4th, The Beatles auditioned for George Martin and EMI/Parlophone Records, and was offered a contract, however, George expressed concern about the drumming skills of Pete Best, asking them to bring in a session drummer.

Ringo Starr had been playing with The Beatles on several dates when Pete Best was sick. George began urging the others to replace Pete - who was perceived to have prompted jealousy among the other members because of his good looks and sex-appeal.

Enter Ringo Starr
Aug 16th, The Beatles persuaded Brian Epstein to fire Best; Jimmy Hutchinson was first offered the drumming spot but declined, and Ringo Star was hired, due in part because of his superior drumming, and his more compatible personality. Although, he had an offer from Gerry and the Pacemakers, he finaly settled on The Beatles because they had gotten a record contract.

Sept 4th,Producers George Martin and Ron Richards began their first Beatles recording session in which "Love Me Do" -written by Paul in 1958- was recorded in Mono on a two-track tape, with Ringo on Drums. Martin complained about Ringo's timing to John, Paul and George, and indicated that he would hire a session drummer, and suggested that John include the harmonica solo.

"How Do You Do It" was Martin's choice for their first single, however "Love Me Do" won out and "How Do You Do It" was offerred to Gerry and the Pacemakers. This lineup was on the initial Parlophone 45 release of October 5, 1962. 

Sept 11th, A new Mono recording session for "Love Me Do" & "PS I Love You" with Session Drummer Andy White, and Ringo on the Tamborine and Maracas. This lineup was on the album version, and the U.S. release on April 27, 1964 on Tollie Records. "Please Please Me" was originally planned for the B-side, however George Martin insisted it's pace was too slow. Although The Beatles attempted a faster-paced version, they were not satisfied with the results, and put off re-recording their first number 1 song until Feb 11th 1963. 

Love Me Do
U.K. Chart Entry Date : 11th October 1962
Highest Position : 17     Weeks on Chart : 18 Weeks
During Oct. '62, The Beatles performed in England on the bill with Little Richard - who was backed on organ by sixteen-year-old Billy Preston.
They again performed with them in Hamburg during Nov and Dec '62.

EMI, approached Vee Jay Records in the Summer of 1962, after Capitol Records turned down their U.S. option for the distribution of "I Remember You", by Frank Ifield, and The Beatles' releases.
Vee Jay released the single Please Please Me b/w Ask Me Why in the US, on 25 February 1963 (VJ 498) under the name "Beattles". 

The Beatles next U.S. release, on May 27 1963 - Vee Jay (VJ522)- "From Me To You" b/w Thank You Girl peaked at #116 on Billboard, August 10th, 1963. Their release "She Loves You" - Sept.16, 1963 , failed to chart at all it's first time. It entered the charts on Jan 25th, 1964 and reached #1. On Feb. 9th 1964, The Beatles Debuted on The Ed Sullivan Show in New York City.

The Beatles 68 Up To 70

The Beatles 68 Up To 70
The Beatles 68 Up To 70

Apple, the Rooftop and Abbey Road. And in the end, these last years were a time of plentiful confusion a time to break down and a time to build up. The Beatles started their own company, Apple Corps with five creative divisions – records, films etc – and then went public with an offer that anyone with an artistic need could come to them and get help. Is there, even now, a machine to count such numbers?

The promise was that all sincere supplicants would be given encouragement, succour, a contract and maybe an envelope full of money. At the same time, The Beatles flew to foothills of the Himalayas to learn meditation. There, between sessions with the Maharishi, they wrote songs for what would become The ‘White’ Album. When recording started, the songs had come in such profusion that, famously, The White Album had thirty of them – enough for two high-class musicals. They sped from one track to another, content that the unity of the album would transcend the disparity in the style and content of the tracks.

It was always their strength that they wrote bewitching singles. New songs were written to suit themselves; sometimes written alone. This new work could virtually be recorded solo, spontaneously, simply. Following the White Album(and the magnificent Hey Jude) they made Let It Be and with the final regal glory of Abbey Road they left their grieving fans a legacy that will never be matched. In the inevitable breaking down of old liaisons, there was room for growth.

John met and married Yoko; Paul met and married Linda. George matured far beyond his years, settled into his spiritual space and expressed himself writing classic songs; Ringo was now writing his own numbers and was widely acknowledged as a supreme drummer and a very good actor. To everything there is a season. That the rift between The Beatles, evolved with much public angst was a pity but this is not a perfect world is it? Relationships anyway, were repaired long ago. And in the end, the equation between the love they took and the love they made was intact into infinity. They still represent the twentieth century’s greatest romance.

The Beatles 65 Up To 67

The Beatles 65 Up To 67
The Beatles 65 Up To 67

These were the years of dash and daring. Sweeping out of the final (and wonderfully old-fashioned) 1964 family Christmas Shows into the wider world of 1965, The Beatles would soon find themselves figureheads of a movement far beyond “pop” where a counter-culture / alternative society was made flesh. National boundaries were presumed to be doomed. Millions of minds were to become expanded and many trousers would soon be spandex though the music would continue to pour out of them breaking in great waves over uncharted, challenging Reason and warming the heart, the Beatles would tire of those great sweating stadiums where they now played to screaming crowds who could no longer hear them. In the studio years (1966 onwards), supported by the steady hand of the great George Martin, they would produce songs which would be forever fresh and which still set the standards against the newcomers have to test themselves. Greatly turned on by the Spirit of the Age and by the “tea-parties” of those times, the Beatles provided a sound-track for the plottings of the baby boomers – millions of them – whose enlightenment (however compromised it may have been by the material world in the harsh times since) still provides a hedge against humankind’s grosser instincts.

They go into the studio which brings an amazed world the mighty whirligig of Sgt Pepper, Penny Lane and Strawberry Fields here on the screen in surreal and glorious colour. They sing Baby You’re A Rich Man and they all are, but they don’t buy an island in Greece. It was the great glory of The Beatles that they could absorb and transmute so much, first in those tiny houses in Liverpool, listening to eclectic 1940s wireless, then to r’n’r and r&b and to Dylan and the poets and soon to music and messages from India. Unafraid of growth, dogged individuals with a powerful devotion to the group ethic, The Beatles accepted each other’s offerings and really “cooked” to make each record a feast that left us breathless with admiration. They never stood still.